HOST:

Welcome to AMERICAN MOSAIC in VOA Special English.

(MUSIC)

I'm Doug Johnson. On our show this week:

We answer a question about racial separation laws of the past ...

Play music from Josh Groban ...

And report about musical composer Mason Bates.

Mason Bates

The worlds of techno music and classical symphonies are usually very separate. But the musical composer Mason Bates is changing this. This thirty-year-old musician from Virginia artfully combines classical music with the sound of electronic beats. Barbara Klein has more.

(MUSIC)

BARBARA KLEIN:

That was part of a work called "Liquid Interface." Mason Bates performed it for the first time in February with the National Symphony Orchestra in Washington, D.C. He was influenced to write the musical piece while living in Berlin, Germany. He watched the lake near where he lived transform from an ice formation to a warm swimming place.

In "Liquid Interface" you can listen to the many forms water takes and the effects of climate change. You can hear the breaking of large ice glaciers, as well as melting drops of water. Bates also makes a musical reference to New Orleans, Louisiana to show the more destructive side of water.

This work needs a very large orchestra. Musicians played more than forty traditional instruments at the Washington, D.C. performance. They were guided by the orchestra's musical director, Leonard Slatkin. Mason Bates stood on the side with his own instrument, the portable computer. He fluidly worked the electronic sounds and beats into the structured classical music.

But Mason Bates does not only write symphonies. At night, you can find him playing trip-hop and French house techno music in the clubs of San Francisco, California. He is also finishing his doctorate degree at the nearby University of California, Berkeley. Mason Bates' skill at combining these two very different musical worlds has been recognized. He has won important awards for his music pieces such as the Prix de Rome.