"Ah!" exclaimed Edith, who with her mother had been rummaging the drawers of the safe as the doctor and I talked, "here are some letters, if I am not mistaken. It seems, then, you used safes for something besides money."

It was, in fact, as I noted with quite indescribable emotion, a packet of letters and notes from Edith Bartlett, written on various occasions during our relation as lovers, that Edith, her great-granddaughter, held in her hand. I took them from her, and opening one, found it to be a note dated May 30, 1887, the very day on which I parted with her forever. In it she asked me to join her family in their Decoration-day visit to the grave at Mount Auburn where her brother lay, who had fallen in the civil war.

"I do not expect, Julian," she had written, "that you will adopt all my relations as your own because you marry me--that would be too much--but my hero brother I want you to take for yours, and that is why I would like you to go with us to-day."

The gold and parchments, once so priceless, now carelessly scattered about the chamber, had lost their value, but these tokens of love had not parted with their potency through lapse of time. As by a magic power they called up in a moment a mist of memories which shut me up in a world of my own--a world in which the present had no part. I do not know for how long I sat thus tranced and oblivious of the silent, sympathizing group around me. It was by a deep involuntary sigh from my own lips that I was at last roused from my abstraction, and returned from the dream world of the past to a consciousness of my present environment and its conditions.

"These are letters," I said, "from the other Edith--Edith Bartlett, your great-grandmother. Perhaps you would be interested in looking them over. I don't know who has a nearer or better claim to them after myself than you and your mother."

Edith took the letters and began to examine them with reverent curiosity.

"They will be very interesting," said her mother, "but I am afraid, Julian, we shall have to ask you to read them for us."

My countenance no doubt expressed the surprise I felt at this confession of illiteracy on the part of such highly cultivated persons.

"Am I to understand," I finally inquired, "that handwriting, and the reading of it, like lock-making, is a lost art?"

"I am afraid it is about so," replied the doctor, "although the explanation here is not, as in the other case, economic equality so much as the progress of invention. Our children are still taught to write and to read writing, but they have so little practice in after-life that they usually forget their acquirements pretty soon after leaving school; but really Edith ought still to be able to make out a nineteenth-century letter.--My dear, I am a little ashamed of you."

"Oh, I can read this, papa," she exclaimed, looking up, with brows still corrugated, from a page she had been studying. "Don't you remember I studied out those old letters of Julian's to Edith Bartlett, which mother had?--though that was years ago, and I have grown rusty since. But I have read nearly two lines of this already. It is really quite plain. I am going to work it all out without any help from anybody except mother."

"Dear me, dear me!" said I, "don't you write letters any more?"

"Well, no," replied the doctor, "practically speaking, handwriting has gone out of use. For correspondence, when we do not telephone, we send phonographs, and use the latter, indeed, for all purposes for which you employed handwriting. It has been so now so long that it scarcely occurs to us that people ever did anything else. But surely this is an evolution that need surprise you little: you had the phonograph, and its possibilities were patent enough from the first. For our important records we still largely use types, of course, but the printed matter is transcribed from phonographic copy, so that really, except in emergencies, there is little use for handwriting. Curious, isn't it, when one comes to think of it, that the riper civilization has grown, the more perishable its records have become? The Chaldeans and Egyptians used bricks, and the Greeks and Romans made more or less use of stone and bronze, for writing. If the race were destroyed to-day and the earth should be visited, say, from Mars, five hundred years later or even less, our books would have perished, and the Roman Empire be accounted the latest and highest stage of human civilization."

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目录(39章)

Preface

Chapter I. A sharp cross-examiner

Chapter II. Why the revolution did not come earlier

Chapter III. I acquire a stake in the country

Chapter IV. A twentieth-century bank parlor

Chapter V. I experience a new sensation

Chapter VI. Honi soit qui mal y pense

Chapter VII. A string of surprises

Chapter VIII. The greatest wonder yet-fashion dethroned

Chapter IX. Something that had not changed

Chapter X. A midnight plunge

Chapter XI. Life the basis of the right of property

Chapter XII. How inequality of wealth destroys liberty

Chapter XIII. Private capital stolen from the social fund

Chapter XIV. We look over my collection of harnesses

Chapter XV. What we were coming to but for the revolution

Chapter XVI. An excuse that condemned

Chapter XVII. The revolution saves private property from monopoly

Chapter XVIII. An echo of the past

Chapter XIX. "Can a maid forget her ornaments?"

Chapter XX. What the revolution did for women

Chapter XXI. At the gymnasium

Chapter XXII. Economic suicide of the profit system

Chapter XXIII. "The parable of the water tank"

Chapter XXIV. I am shown all the kingdoms of the Earth

Chapter XXV. The strikers

Chapter XXVI. Foreign commerce under profits; protection and free trade, or between the devil and the deep sea

Chapter XXVII. Hostility of a system of vested interests to improvement

Chapter XXVIII. How the profit system nullified the benefit of inventions

Chapter XXIX. I receive an ovation

Chapter XXX. What universal culture means

Chapter XXXI. "Neither in this mountain nor at Jerusalem"

Chapter XXXII. Eritis sicut deus

Chapter XXXIII. Several important matters overlooked

Chapter XXXIV. What started the revolution

Chapter XXXV. Why the revolution went slow at first but fast at last

Chapter XXXVI. Theater-going in the twentieth century

Chapter XXXVII. The transition period

Chapter XXXVIII. The book of the blind